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The martial arts are also the essence of loveand the nurturing motherly protect, protection of lovel the love should have.

The film maker that that directed the ** An Lee, brought sensitive of character development and story and the way he shot it. Like most memorable thing for me is when Chou Runfat Michelle Yeoh we having a conversation she said she is standing in this kind of cement almost building and in the backdrops of this, you know, this huge window. It's a beautiful green scenery of mainland China in the backdrop. And you realize that, and you know the confinement they are in. Because they can't consummate their relationship. Just outside,is the beauty of nature. Everything is availabe to them, but yet they can't go beyond, they closed in.

AndI thought wow, you know, and that's, *, that's a real film maker and storyteller's sensibility.

The first queston he asked me is do you mind being a beggar. Because I never be a begger that's my first time but of course not the last time. Because I think it may be in personal I'm very kind very sweet so nobody thinks I could be a beggar. But he was the first one. But I said that's okay, I don't mind as long as you think, I can do it, that I can do it.

The ending of course when the girl flys down. I just thought I want to make a movie that just targets toward that image.

Throughout this story many of these martial art pioneers and innovators have acknowledged the influence of American films on the styles, from the tender wizard of us to the bloody b***. But elements of martial arts have appeared in American film, that would definitely not martial art stories.

starred seriously in the early 1960s in Manchurian candidate. And Peter * highlighted his training techniques in the (pink pussy) film series. And it continues on to current successors like Charlie *. And even the animation favorite Shreck.

After Bruce Lee's influence int 1970s, Hollywood embraced martial arts as a central component in its storylines. And it continues today.